- Compatible with Zoom H5 and H6
- Mid-side Stereo Shotgun Microphone
- Fully mono compatible
In the box
- SSH-6 Shotgun mic capsule
- Hairy windscreen
The Zoom SSH-6 Stereo Mid-Side Shotgun Mic Capsule
Dial it in
The SSH-6 stereo mid-side shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. With an SSH-6 attached to your H5, H6, or Q8, you can capture dialogue with the mid (center) mic, and then blend in the desired amount of environmental sound captured by the side mic in postproduction.
- Mid-side shotgun mic capsule for the Zoom H5 and H6 Handy Recorders and the Q8 Handy Video Recorder
- Allows Mid-Side recording, enabling the width of the stereo image to be adjusted during recording or in postproduction, while maintaining full mono compatibility
- Advanced digital signal processing for the pickup power of a conventional shotgun mic in a unit only half the size
- Perfect for film, video, and live theater applications
- Analog-style gain control for fast setting of input level
- 5-volt preamp minimizes distortion even at high volumes
- Includes hairy windscreen for reduction of wind noise
The best of both worlds
Shotgun mics provide a pinpoint center image, and mid-side recording is a great way to capture realistic stereo images which are fully mono-compatible. In situations where the ambient sound is too intrusive, the level of the SSH-6 'side' mic can be reduced even in postproduction to make narration or dialogue captured by its 'mid' mic easier to hear.
Use the right microphone for the job
Professional photographers and videographers choose the right lens to capture the optimum visual image. Why should audio be any different? Zoom's unique system of interchangeable input capsules allow you to always use the right microphone for the audio recording you're creating. The capsules snap on in seconds, allowing them to be swapped out as easily as the lens of a camera.
Zoom provides plenty of variety, too: Two different X/Y stereo mics for live music and concert recording, two different mid-side mics (one standard and one shotgun) for film and videography, two types of shotgun mics (one mono and one stereo), even an expander capsule that allows you to connect two additional external microphones or line-level sources.
SGH-6 Shotgun
EXH-6 XLR/TRS Combo
MSH-6 Mid-Side
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|---|---|---|---|---|---|---|
| SGH-6 | SSH-6 | EXH-6 | XYH-6 | XYH-5 | MSH-6 | |
| Compatibility | H5, H6, Q8 | H5, H6, Q8 | H5, H6 | H5, H6, Q8 | H5, H6, Q8 | H5, H6, Q8 |
| Microphone type | Hyperdirectional | Mid-Side (Hyperdirectional M + bi-directional S) | - | X/Y stereo | X/Y stereo | Mid-Side |
| Microphone polar pattern | Supercardioid | Supercardioid (M) + Figure-of-8 (S) | - | Cardioid (90˚ - 120˚ adjusted) | Cardioid (90˚ fixed) | Cardioid (M) + Figure-of-8 (S) |
| Input connectors | - | - | 2 x XLR/TRS combo (mic/line level) | ⅛" TRS, Mic/Line, w/2.5V Plug-In power | - | - |
| Analog-style gain control | Y | Y | Y | Y | Y | Y |
| Maximum SPL (Sound Pressure Level) | 122 dB | 122 dB | - | 136 dB | 140 dB | 120 dB (M), 122 dB (S) |
| Maximum input gain | 50 dB | 52.3 dB (M), 49.3 dB (S) | 55 dB | 46.5 dB | 55 dB | 42.5 dB |
| -20dB pad | - | - | Y | - | - | - |
| Shockmounted | N | N | - | Y | N | N |
BEST SELLERS
From the manufacturer
In the box
- SSH-6 Shotgun mic capsule
- Hairy windscreen
The Zoom SSH-6 Stereo Mid-Side Shotgun Mic Capsule
Dial it in
The SSH-6 stereo mid-side shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. With an SSH-6 attached to your H5, H6, or Q8, you can capture dialogue with the mid (center) mic, and then blend in the desired amount of environmental sound captured by the side mic in postproduction.
- Mid-side shotgun mic capsule for the Zoom H5 and H6 Handy Recorders and the Q8 Handy Video Recorder
- Allows Mid-Side recording, enabling the width of the stereo image to be adjusted during recording or in postproduction, while maintaining full mono compatibility
- Advanced digital signal processing for the pickup power of a conventional shotgun mic in a unit only half the size
- Perfect for film, video, and live theater applications
- Analog-style gain control for fast setting of input level
- 5-volt preamp minimizes distortion even at high volumes
- Includes hairy windscreen for reduction of wind noise
The best of both worlds
Shotgun mics provide a pinpoint center image, and mid-side recording is a great way to capture realistic stereo images which are fully mono-compatible. In situations where the ambient sound is too intrusive, the level of the SSH-6 'side' mic can be reduced even in postproduction to make narration or dialogue captured by its 'mid' mic easier to hear.
Use the right microphone for the job
Professional photographers and videographers choose the right lens to capture the optimum visual image. Why should audio be any different? Zoom's unique system of interchangeable input capsules allow you to always use the right microphone for the audio recording you're creating. The capsules snap on in seconds, allowing them to be swapped out as easily as the lens of a camera.
Zoom provides plenty of variety, too: Two different X/Y stereo mics for live music and concert recording, two different mid-side mics (one standard and one shotgun) for film and videography, two types of shotgun mics (one mono and one stereo), even an expander capsule that allows you to connect two additional external microphones or line-level sources.
SGH-6 Shotgun
EXH-6 XLR/TRS Combo
MSH-6 Mid-Side
|
|
|
|
|
|
|
|
|---|---|---|---|---|---|---|
| SGH-6 | SSH-6 | EXH-6 | XYH-6 | XYH-5 | MSH-6 | |
| Compatibility | H5, H6, Q8 | H5, H6, Q8 | H5, H6 | H5, H6, Q8 | H5, H6, Q8 | H5, H6, Q8 |
| Microphone type | Hyperdirectional | Mid-Side (Hyperdirectional M + bi-directional S) | - | X/Y stereo | X/Y stereo | Mid-Side |
| Microphone polar pattern | Supercardioid | Supercardioid (M) + Figure-of-8 (S) | - | Cardioid (90˚ - 120˚ adjusted) | Cardioid (90˚ fixed) | Cardioid (M) + Figure-of-8 (S) |
| Input connectors | - | - | 2 x XLR/TRS combo (mic/line level) | ⅛" TRS, Mic/Line, w/2.5V Plug-In power | - | - |
| Analog-style gain control | Y | Y | Y | Y | Y | Y |
| Maximum SPL (Sound Pressure Level) | 122 dB | 122 dB | - | 136 dB | 140 dB | 120 dB (M), 122 dB (S) |
| Maximum input gain | 50 dB | 52.3 dB (M), 49.3 dB (S) | 55 dB | 46.5 dB | 55 dB | 42.5 dB |
| -20dB pad | - | - | Y | - | - | - |
| Shockmounted | N | N | - | Y | N | N |
BEST SELLERS
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